Gary Pembroke Allen
April 2, 2026
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Collaboration was central to his practice, and he thrived in creative communities where art, music, and storytelling intersected.
Collaboration was central to his practice, and he thrived in creative communities where art, music, and storytelling intersected.
“It’s the timeless things that I’m looking for, it’s the things that don’t date.”
She spent much of her career traveling and working in some of Canada’s most remote regions, including Eureka on Ellesmere Island in Nunavut…
She had an interest in intimate, personal subjects drawn from her immediate circle…
…her practice synthesizes gestural abstraction with subtle nods to geometric structure and the influences of music and sound.
He quickly became known for his innovative use of large tubes of paint rather than tiny amounts of colour in a box, as well as all sorts of house painting brushes.
…creating my own world and my self out of that world was my only defense, my survival method in a world insanely bent on destruction.
“Even in the smallest forms, nature has a pattern, a system, an order, and that appeals to my personality.”
He was at the forefront of abstract painting experimentation in the 1960s and 70s in Victoria…
…Sim’s works whisper the poetry of place with a fan’s devotion to nature and a historian’s eye for detail.
When…the love of his life died, he donated countless paintings to hospitals and charities in her name, raising tens of thousands of dollars.
She infuses her work with family history and genetic or environmental identities or inheritance.
Drahanchuk’s work is an honest expression of the natural world, using glazes only as accents to his designs and only where function demands it.
Not much is known about this artist. Do you have further information?
…a dynamic force in Canadian printmaking, known for his irreverent, experimental approach and his dedication to expanding the creative boundaries of the medium.
In 1940, she was sent to Egypt by the British High Command to spy on the Germans in preparation for the invasion of El-Alamein.
“Of all the stuff I do, I actually find painting the most stressful…”
Her imagery reflects a lifelong assertion of feminine creativity, often resembling tapestries or quilts—compositions that honour traditional women’s work. Her subject matter is drawn from the intimate spaces of her life…